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Directed by MANSON. Photography by Claudia Mallart.



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There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. “Nowadays we want everyone who comes through our door to feel comfortable, but that's not Bofill’s idea here, it goes much further, you connect with the space in a more spiritual way.” Rising above lush gardens that mask the grounds’ unglamorous roots, the eight remaining silos that once hosted an endless stream of workmen and heavy machinery now house both Bofill’s private life, and his award-winning architecture and urban design practice.


From the series In Residence for Nowness.
Directed by Albert Moya. Photography by Claudia Mallart & Dani F. Abelló.



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A lush family heaven in Northern Spain, you can immediately sense the many

generations that have shaped this place. The garden was created by Luis’ great grandfather, then further developed by his grandfather and father—it is now shared between three brothers of nine siblings.
“It is the heart of this family”

From the series Great Gardens for Nowness. 
Directed by Albert Moya. Photography by Claudia Mallart.



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“Ancha es Castilla / N’importe quoi” is a horror movie with a sick sense of humor, which tells the story of a girl possessed by the devil who performs exorcisms with her family, to expel the evil inside. It is a short film starred by characters comprised of food and inspired by Goya 's black paintings. As is typical of Caballero’s films, the plot and dialogue were developed after the shoot. The result is disturbing, crude and filthy: the most punk Caballero movie to date.

Directed by Sergi Caballero.  
Photography by Claudia Mallart & Marc Gómez del Moral.



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Sónar is the International Festival of Advanced Music and New Media Art taking place in Barcelona during three days every June.


Created in 1994, Sónar is a pioneering cultural event with a unique format and content. It's first class reputation as a leading reference for international festivals is thanks to it's attention in curation, combining a playful nature, the avant-garde, and experimentation with newest trends in dance and electronic music.

Directed by Sergi Caballero. Photography by Claudia Mallart.



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Sirens Of Lesbos (SOL) is an anonymous six piece collective claiming to have its creative Kibbutz somewhere in the Aegean Sea off Greece. The group made it's mark with its debut single «Long Days, Hot Nights».

Directed by Camila&Marc. Photography by Claudia Mallart.


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A label that calls itself Greco-Roman is bound to conjure thoughts of bacchanalian revelry and good looking people dancing on grapes. Co-founder Joe Goddard’s “Endless Love" - from the EP of the same name - stays true to these conjectures. Vocalist Betsy’s trilling tremolo flirts with a backdrop of understated house beats and balmy bass - both of which is expertly arranged and narcotically thrilling. 2 Bears and Hot Chip member Joe’s third solo EP picks up where last year’s “Taking Over” left off.

Directed by Camila&Marc. Photography by Claudia Mallart.


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Cover for the album “Desencuentros” of the spanish band Elsa de Alfonso y los Prestigio from the label CANADA Editorial. Design by the acclaimed collective director CANADA.

Photography by Claudia Mallart.



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Requisitos para ser una persona normal’s poster, winner of the Feroz Award 2016, has been the result of a process of teamwork. The director of the film wanted from the very  beginning to work with USER T38 , specifically with designer Natalia Montes, who had already made the design of movie posters Tres bodas de más , Ágora , Zipi y Zape or La gran família española.

Photographers Claudia Mallart & Marc Gómez del Moral.





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